Charli XCXās album āCrashā has been topping the charts. Coincidentally, this album is all about her selling her soul to the devil for fame and fortune. Hereās a look at the symbolism surrounding this English pop star.
For years, Charli XCX had been working relentlessly to move up in the music industry. Since 2013, the English singer and songwriter released five albums to critical acclaim while winning industry trophies. However, despite her relative success, Charlie XCX still could not be called a āmajor pop starā. Indeed, the proverbial spotlight did not shine on Charli as intensely as others pop stars.
So what was missing? Looks? Talent? Hard work? No. She had to sell her soul to the devil. And not figuratively. And thatās exactly what she did.
In a rather blatant Instagram post, Charli writes ātip for new artists: sell your soul for money and fameā. Along with this caption are symbolic pictures, including this satanic g-string.
In another post, Charli writes ābabyās bloodā with an emoji representing a martini glass ā implying that this blood is being ingested. This is a reference to the occult eliteās favorite obsession: Consuming human blood and flesh.
Shortly before Halloween, Charli posted a pic depicting a satanic blood ritual. Because thatās what they actually do around this time of year.
In occult circles, the initiation of a candidate involves a symbolic death and rebirth. This is exactly what Charliās album Crash is about.
The album art of Crash depicts Charli being ākilledā in a car crash. The subtle one-eye sign created by her strategically placed hair indicates that this is all occult symbolism.
In a post celebrating her success, Charli posts a picture of her laying in a casket.
Upon the release of Crash, a slew of music videos was released. Two of them stand out from the lot and they happen to be highly symbolic. Hereās a look at them.
Good Ones
The lyrics of the single Good Ones are about Charli wanting to end a healthy relationship because she craves evilness. These lines sum up the song:
I want the bad ones ācause theyāre all I know
I always let the good ones go
While the song appears to be about Charli being attracted to bad boys, the video indicates that the ārelationshipā Charli refers to is actually ⦠spiritual.
The entire video takes place at a funeral with people mourning and stuff. Then Charli emerges with her witch coven or something.
While everybodyās wearing black, Charli and her girls also wear red ā the color occultly associated with initiation and blood sacrifice. Theyāre holding burning Bibles, an image that sums up the satanic subtext of this video.
Throughout the video, Charli appears to be extremely turned on by the dead body. This bizarre mix of death and sexuality is in line with the eliteās sick culture of death.
Behind the casket is an interesting figure. If this was a āregularā church, one would probably see a crucifix. However, if you look closely, thatās not Jesus at all. The figure appears to represent the Roman soldier who speared Jesus while he was crucified ⦠to make sure he was dead.
A fresco by Fra Angelico showing the lance piercing the side of Jesus on the cross.
Satanic black masses are all about the reversal and perversion of Christian rituals and symbols. Enshrining the guy who pierced Jesus instead of Jesus himself is a good example.
Lurking in the background is a weird-looking priest. His eyepatch turns his face into a one-eye sign, again hinting at this being occult elite garbage.
In this rather grim scene, Charli and her girls get overtly excited by the burial hole. Culture of death.
At one point, Charli is seen laying on her own tombstone. The burial date is March 2022 which was the release date of her album.
In short, Good Ones is all celebration of death at a satanic black mass. If you believe Iām going a little far with this interpretation ritual, you should maybe check the alternative video.
In the āDrag Performance Videoā, a bunch of drag queens (who are wearing symbolic red) dance inside a desecrated church. Behind them is an inverted cross ā the ultimate symbol representing satanism. I donāt think this can be clearer.
Good Ones is about Charliās symbolic death and pending rebirth as a pawn of the music industry. The video Beg For You appears to continue in this ritualistic narrative.
Beg For You
The lyrics of Beg For You are about longing for someone who is kind of a jerk. Of course, the video is about a ritualistic initiation that includes drinking blood. Because, after letting the āgood one goā (God), Charli ābegs forā the jerk (Satan).
The song features Rina Sawayama, an up-and-coming artist who has been enjoying unfaltering praise from mass media.
One-eye signs = She is down with pushing the eliteās agenda.
Both Charli XCX and Rina Sawayama are ready to take their careers to another level. But first, they have to partake in weird, ritualistic crap. The Beg For You video is all about that.
The video begins with Charli, Rina, and the coven of witches following some sort of spiritual leader.
Also, thereās this thing.
The coven is led to a place where something unholy is about to happen.
A horned skull surrounded by a circle of sticks = Satanic ritual.
Once arrived, Charli and Rina take place in a ritualistic matter.
Charli is given a sharp object which she squeezes until she bleeds. That blood drips into a pool of water.
Then, the āspiritual guideā (or whatever) scoops up some of that blood water ⦠and DRINKS IT.
I hope youāve been noticing that the elite has been increasingly open about its obsession with drinking human blood.
After the ritual, the coven gets into a trance-like state and dances around the pool of bloody water.
The initiation ritual is complete and another crappy video is released to the world.
In Conclusion
After years of hard work in the music industry with albums leaning towards innovation and experimentation, Charli XCX wanted to go mainstream. So she made mainstream music. More importantly, she complied with the industryās requirements of selling her soul and pushing a sick agenda. The result is Crash ā an album surrounded by over-the-top Illuminati madness.
Some might argue that Charliās act is so blatant that it is actually satirical, a second-degree comment on the state of the industry. That might be a way of seeing things. However, the end result is the same: Through her works, Charli propagates in popular culture the same messages, the same symbolism, and the same satanic āenergyā as others.
With that being said, did the soul-selling work out for Charli? At first glance, yes. Sheās enjoying that sweet mass media attention.
Crash is Charliās best-selling album to date.
But was it worth it? Iāll let Charliās own Instagram post answer that question.
The caption of this post is ātip for new artist: it only gets worseā. The high heels and the chain refer to the sexual slavery of industry pawns.
I guess not.
Categories: Society and Culture, The Occult